How to Shoot a Pistol Accurately

Shooting is not rocket science, but is not as easy as falling off a bike, either. Among all the various firearms that one could endeavor to master, most will find that the humble pistol is the most difficult. This presents a problem since it is the pistol, not the rifle or shotgun, which is the typical primary weapon of civilians in normal and not so normal times.

There are plenty of guides, how-to’s and videos on the internet that will explain the fundamentals of marksmanship to the uninitiated and while they are certainly useful, they also often fail to transmit the deeper, crunchier esoterica that can help you excel with this most demanding of firearms.

In this article, I’ll offer up a few choice bits of wisdom that I gleaned so far in my shooting career. With a little practice and professional instruction, you’ll blow past your old personal bests and set a new high benchmark for performance.

If you’re looking for more accuracy shooting tips not just for pistols, check out this other article.

pistol

Why Are Handguns So Hard to Shoot?

Without delving to deeply into the highly scientific and the extremely anecdotal, there are two major factors that make handguns tough to shoot as well as rifles or shotguns, and they have nothing to do with barrel length.

The first is that handguns, at least the huge majority of true handguns, lack a stock of any kind and lacking this third and fourth point of contact with the body (the buttplate/buttpad and comb/cheekpiece) their inherent stability is greatly reduced.

Instead stability is created by the grip alone, and improved or weakened through muscular tension and skeletal support. This calls for a higher degree of coordination and fitness for best results compared to a long gun.

The second is that handguns are highly sensitive to inadvertent or sympathetic movements of the arms and hands, which just so happen to be phenomena that plague even high level professional shooters.

Most shooters will know these instances as a flinch, the yips, or jerking the trigger. Compared to a larger, heavier long gun, pistols weigh little and require only a little imparted force to crank the gun off alignment with the intended point of impact.

For my own part, I can take your newbie and get them delivering solid hits consistently with a rifle or shotgun much faster than I can with a handgun, and I can take an average shooter and make them a proficient shooter with considerably more ease using the same.

Sure, there is a chance that I am just a terrible pistol trainer, but I don’t think that’s the case; handguns just take more work to build competency, and considerably more practice to maintain that skill level.

Keep both of these quirks in mind. We’ll come back around on them in just a bit.

The Fundamentals that Matter

As with everything, it is fundamentals that make the difference between a groupie and rock star. As with shooting anything, the fundamentals you should keep in mind when processing your shot with a handgun are:

  1. Stance/Position: Everything begins with a good, solid, balanced position that relies as little as possible on muscle tension to keep it rigid. Make sure your position is good to go before committing to a shot.
  2. Grip: Without a proper, firm grip on the pistol, you will not be able to exert the fine control needed to manipulate the trigger properly enough to produce accuracy. Additionally a weak or broken grip will allow the pistol to move more under recoil, spoiling your follow-up and potentially producing a malfunction.
  3. Breath Control: Movement of the diaphragm will radically move your trunk, imparting a sway to the gun. Be sure to shoot when your lungs are empty, at the natural respiratory pause, when they are full or about halfway empty and you can hold your breath for a few seconds.
  4. Sight Alignment: The front and rear sight must be in proper relation to each other so you may perceive the precise orientation of the pistol and your desired point of impact.
  5. Sight Picture: The sights, so aligned, are indexed on the target and held there through the trigger press. Sight picture must undergo moment to moment correction for shooter and target movements.
  6. Trigger Press: The trigger must be manipulated in such a way that the sight picture is not disturbed. Easier said than done.
  7. Follow Through: Lastly, this is the continuation of focus and application of all fundamentals beyond the break of the shot.

What could be simpler! In seriousness, with practice, like anything, all of these things happen in a very short timeframe and often simultaneously at different phases of the shot process as a shooter gains proficiency.

So it is a less a preflight checklist than a list of ingredients for good shooting.
But hold on to your hats because I am going to let you in a little secret, readers. Take your seats because the Heresy Train is on the rails.

Most of Those Fundamentals Don’t Matter

Presenting the revised list of fundamentals you should be focusing 80% of your efforts on. Please keep your hands off your keyboards; you can bawl me out in the comments when the article comes to a complete stop. I’ll be explaining my rational for all of these in the next section.

  1. Stance/Position
  2. Grip
  3. Breath Control
  4. Sight Alignment
  5. Sight Picture
  6. Trigger Press
  7. Follow Through

“How could he?!” I hear you out there all the way from over here. Settle down now, and hear me out.

1) Stance/Position

Having a textbook perfect stance is a luxury in an actual defensive situation. In fact, much of the time your stance may be dictated for you, i.e. you get knocked ass-over-teakettle to the ground and get your bearings to see some mongo standing over you with a club. Guess what? You won’t see “goofy supine” in most shooting manuals.

The point is this: get the very best position you can for the shot you have to take. Sometimes it isn’t very good at all? Do we just not shoot? Of course not, so long as we know the limitations of our abilities.

2) Grip

The importance of a strong, solid, consistent grip for good pistol shooting cannot be overstated. If anything, most shooters do not grip their pistols tightly enough, and anticipatory movement induced by fear of blast and recoil is one of the most pervasive gremlins a shooter will have to cope with. Beyond the classic flinch, myriad problems manifest when the grip is improper or just weak.

A slack grip can lead to real issues when, especially on a gun with a heavier trigger, the rest of the fingers clench in sympathy to the force being exerted by the trigger finger as it manipulates the trigger.

A “crush” grip where the gun is held just shy of trembling will dramatically lessen this effect and, magically, also ease the burden of an improper trigger pull. More on that in a second.

The anticipatory flinch is dampened down accordingly when the grip is very strong. If the clamping effect of the muscles tensing is what moves the pistol in the first place, if one is already gripping near maximum strength the “flinch” has nowhere to run to, in essence. Starting to make sense?

3) Breath Control

Crucial at the bullseye match or if you are shooting at long or extreme range, but nowhere else. You can break a good shot if you are holding your breath or not. What matters most is that breathing does occur in a high stress situation, both to help manage that stress and to keep your eyes gassed up with oxygen.

Low O2 in the body will hurt visual acuity. Plus it is far easier to teach pausing the respiratory process when you need to break a shot than drilling someone to wait until the lungs are halfway full, 2/3 full, fully full, or anything else besides empty.

So, breathe! Or don’t! You can do whatever you want because you’ll start breathing eventually, so it is best to work around rather than against it.

4) Sight Alignment

It is shocking how much slop there can be in a conventional sight picture and you’ll still come off with an acceptable shot at typical defensive ranges. In fact, you often will not need a textbook perfect sight picture to deliver even a very good shot! It is best to start learning now how much slop you can get away with at what ranges.

If I have someone in the open at six feet, and I am tracking for a shot, the moment, and I mean the moment I can perceive any part of my front sight through the rear notch with the gun at eye level and a target focus I am getting on that trigger like the last bus out of Hazard.

Too high, too low, too left, too right, I take shots with sights looking like that all the time when because I know myself and know my pistol.

Would I do the same thing for a bad guy at 25 yards? Or one with an innocent near them or between he and I? God, no.

But that is part of becoming an advanced shooter is learning what you can take when you can take it, and not burning time past the “acceptable” marker. This is not to be construed as I am decrying a quest for improvement or refining your marksmanship to a razor edge!

Far from it, but speed counts and time may in fact be against you, so blowing off “entirely acceptable” for “perfect” if it costs you the one resource you can never get more of and never buy, time, it is a bad trade.

5) Sight Picture

I left sight picture alone because it is the one true indicator of where the gun is currently “at” that you can rely on and derive fine feedback from. Even at that, I have a few bones to rattle.

First, the relentless catechisms of “front sight focus, front sight focus, front sight focus,” while entirely valid and a necessary part of really taking off as a shooter, are only half the story. Kinda like teaching someone the Bible and leaving off all the parts about sin and Lucifer. You are setting someone up for a fall, no matter how devoutly they follow your advice.

The “other half” I am referring to is the absolute necessity of switching the current focus, or “focal band” from the target to the sight and back. Yes, of course, you can precisely deliver a round on a target with it a big blurry blob in your background, be it a human or a piece of paper or steel.

But let’s assume it is a person, and not just any person; a person who is potentially a lethal threat, one who wants to kill you.

Do you think it is in your best interest to keep your focus on that person, to keep them and their actions in total clarity so you can decide when and later articulate why you shot them with a pistol? You bet your butt it is.

Good shooters, hell, even bad shooters who have to shoot for a living or to live will regale you with how much and how often their focus goes from the target, to the sights, quick back to the target. Now sights. Now target. Sights. Target. Sights target sights target and on and on.

Establishing your sight picture is one thing. Keeping a valid firing solution is another, and that requires more info than just the relationship of the sights to this thing you want to shoot.

I’ll let you in on another trick: I take shots all the time with a target focus. Gasp! The humanity! What’s next, cats and dogs living together? Mass hysteria! It’s true, and you can too.

Just like our sight alignment above, there are some shots you can deliver with total confidence using a janky or imperfect sight “package” and at close range on high percentage shots my focus may remain on my target the whole time. Same thing goes for larger targets at modest ranges, but I am an accomplished pistol shooter.

You can also bet, again, that as the target shrinks or gets further away I will be kicking in “strict” fundamentals harder and harder to compensate, though.

I have talked the most about sight picture so far compared to the others because it really is one of the most important fundamentals, truly a fundamental. Think of it this way- all of the other fundamentals are only there to obtain, maintain and improve your sight picture, i.e. where the bullet will go. All other considerations are secondary.

6) Trigger Press

Trigger press is another fundamental that gets blown out of proportion because there is all kinds of pigeon religion, dogma, legend, myth and folklore around what is ultimately a simple goal: pull the trigger without moving the sights. I said simple, not easy.

Depending on your pistol, your hand size, strength and a few other factors, you might need to pull a trigger differently than your neighbor. So all the advice of “just the tip of the finger,” or “the first pad” or “after the third joint but not to the second joint” are all completely subjective.

Get this: you may pull the same trigger on the same gun differently depending on your shot or shooting tempo! What the what?! Yes, it’s true.

Consider one of the most common pieces of advice given to novice shooters, that being that the trigger finger should never leave contact with the trigger when resetting it for the next shot.

Now, this is helpful advice in the interim, because it efficiently gets a novice paying attention to fine, fine trigger control and awareness of their trigger finger but it is not the paradigm of technique.

Plenty of high level shooters will come off the trigger inside the trigger guard when shooting rapidly. This is known colloquially as “gapping” or giving the trigger some “air.”

They do this because it allows the trigger to reset quicker and affords more power when getting back on the trigger. Before you decry it as bad technique, you should go watch some of the top ranked competitive shooters run their guns. You’ll need a high speed camera to see it, but many of them will be doing what I described above.

No matter how it happens, no matter you achieve it, the key absolute when it comes to trigger pull is to pull it without disturbing the sights. Some methods work more reliably for more people to achieve that, but what really counts is that the sights stay on your intended point of impact when the trigger breaks.

7) Follow Through

Another fundamental that gets hammered into a quasi-religious form. You’ll see some shooters become entirely too regimented over follow through, keeping the trigger pinned back even after the gun settles before waiting several heartbeats to release it and then coming back to a ready position.

It always reminded me of those formalized traditional martial arts blocks where they just hold their arm up there after stopping the “attack”.

There are two things that should happen concurrently as you break the shot: first, you should know, know, where your sights were indicating the shot was heading.

If you cannot call your shots, your mind may be misplaced, especially if you are deliberately focusing on the sights. Second, once the shot is away, you immediately start prepping for the next shot: mitigate recoil-assess the target-reset trigger-prepare to press trigger. You don’t wait for the gun to settle before you reset the trigger.

You can outrun your headlights as the saying goes. If you are thinking about the next shot before you have completed the first one, that is an anxiety or mindset issue.

In Summary

Shooting a pistol well may be the one of the most difficult of the disciplines to master, but by training and practicing with a few bits of expert knowledge in mind can smooth your evolution from merely proficient to an advanced shooter.

shooting pistol Pinterest image

About Tom Marlowe

Tom Marlowe
Tom Marlowe practically grew up with a gun in his hand, and has held all kinds of jobs in the gun industry: range safety, sales, instruction and consulting, Tom has the experience to help civilian shooters figure out what will work best for them.

6 comments

  1. Avatar

    In a real life situation, your careful aiming my be interrupted by DEATH!!

  2. Avatar

    What about those of us with bi-focals ??

    • Avatar

      Consult with your optometrist to see what will work best for you. It might be helpful to find an eye doc who shoots so he’ll have a better intuitive understanding of what is required for effective use of sights.

  3. Avatar

    A technique which drastically reduces the amount of training and almost immediately familiarizes a new shooter with a pistol:
    A new shooter should start with a revolver and become proficient before moving on to an automatic pistol. Automatic pistols are far too complicated for new shooters because of all the individual operations that have to be remembered just to get the thing to fire (ie: Safety off? Magazine inserted properly? Round Chambered? Grip safety depressed? Etc.)
    Place the UNLOADED revolver in your off-hand ( If you are right-handed the left is your “Off-Hand”) and secure it with an elastic bandage. The revolver stays in your hand continuously for at least twenty-four hours. You will sleep, eat ,crap , shave and shower with it in your hand.(Place a plastic bag over it and secure the bag with a rubber band to keep it dry.) DON’T GO INTO THE BANK WITH IT! The longer you keep it in your hand, the more effective this technique will be.
    Your subconscious mind will absorb the feel and weight of the revolver as a part of your body, an extension of your hand.
    Do this in your off-hand first because you will have perform your normal daily routine and it is a lot easier this way.
    Go to the range and practice. You will notice how natural it feels and you will even feel as if something is missing if you are not holding your pistol.

    • Avatar

      Chris, I have to strenuously disagree with your assessment of semi-auto pistols. I have personally trained somewhere in the vicinity of 6,000 beginning or novice shooters. The majority of them started with semis. Only seldom was one of them unable to get a good start with a semi.

      As for your elastic wrap method, well, I sincerely hope that is a joke. The same thing could be accomplished minus the mild insanity by simply… picking up the gun to practice with it, and putting it down when you are done.

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